Box 2

This series consists of clippings, programs, magazines, correspondence, photographs, and other materials related to Willard Hirsch's career as a sculptor. Materials in this series pertain to his career generally, to exhibitions where more than one work by Hirsch was displayed, to entries Hirsch submitted for commissions that were not accepted, or to other projects that were never realized.

This series consists of clippings, programs, magazines, correspondence, photographs, and other materials related to Willard Hirsch's career as a sculptor. Materials in this series pertain to his career generally, to exhibitions where more than one work by Hirsch was displayed, to entries Hirsch submitted for commissions that were not accepted, or to other projects that were never realized.

This series consists of clippings, programs, magazines, correspondence, photographs, and other materials related to Willard Hirsch's career as a sculptor. Materials in this series pertain to his career generally, to exhibitions where more than one work by Hirsch was displayed, to entries Hirsch submitted for commissions that were not accepted, or to other projects that were never realized.

Photocopies of Hirsch clippings from 1942 through 2010, with materials added after Hirsch's death.

List and copies of selected clippings on Hirsch's career.

Includes articles about Hirsch's career, various works of art, and his life in Charleston.

Includes 1940 Special United American Artists Exhibition Issue, and the 2nd Annual Sculpture Exhibition of the New School for Social Research.

Black and white mounted photographs taken from a photo album. Photographs primarily feature sculptures by Hirsch, apparently dating from his student work.

Photocopies of images of work submitted by Hirsch to sculpture competitions while he was living in New York.

Includes Who's Who from July 1942, South Carolina Magazine from January 1952 and January 1953, Gateway Magazine from January 1957, Architectural South from October 1957, Architecture South Carolina from Winter 1959, ArtVoices South from 1979, and other articles.